Double Ocarina of Time Alto C

- 18-hole double ocarina - 2 Octave Chromatic Range - Zelda Blue glaze - The Ring of Platinum The Final Challenge   Once a Zelda player has mastered the scales of pitch, the rhythm of time and the per

Ray Ocarina 2AC

Ocarina fabriqué à la main par son fabricant et son équipe en Chine. Ces nouveaux Ray Ocarinas proposent un doigté unique où la main gauche permet aussi de jouer la 2ème chambre. Exemple: Le doigt

D-BC-N2

It takes Focalink almost 2 years to develop this new series of ocarinas especially for Ensemble use because of the more smooth transmission process on breath pressure and sound volume when player swit

D-BC-R2

This is Focalink's standard double ocarina in the key of Bass C. There are two separate chambers that allow the player 17 chromatic notes from A to high C. Certain chords are also possible when playin

D-BC-R1

This is Focalink's standard double ocarina in the key of Bass C. There are two separate chambers that allow the player 17 chromatic notes from A to high C. Certain chords are also possible when playin

D-AF-N2

It takes Focalink almost 2 years to develop this new series of ocarinas especially for Ensemble use because of the more smooth transmission process on breath pressure and sound volume when player swit

D-AG-N2

It takes Focalink almost 2 years to develop this new series of ocarinas especially for Ensemble use because of the more smooth transmission process on breath pressure and sound volume when player swit

D-AG-R2

This is Focalink's standard double ocarina in the key of Alto G. There are two separate chambers that allow the player 17 chromatic notes from E to high G. Certain chords are also possible when playin

D-AG-R1

This is Focalink's standard double ocarina in the key of Alto G. There are two separate chambers that allow the player 17 chromatic notes from E to high G. Certain chords are also possible when playin

D-AC-N3

It takes Focalink almost 2 years to develop this new series of ocarinas especially for Ensemble use because of the more smooth transmission process on breath pressure and sound volume when player swit

D-AC-N2

It takes Focalink almost 2 years to develop this new series of ocarinas especially for Ensemble use because of the more smooth transmission process on breath pressure and sound volume when player swit

D-AC-F-BP3

This is Focalink's forte double ocarina in the key of Alto C. There are two separate chambers that allow the player 17 chromatic notes from A to high C. Certain chords are also possible when playing b

D-AC-F-BP2

This is Focalink's forte double ocarina in the key of Alto C. There are two separate chambers that allow the player 17 chromatic notes from A to high C. Certain chords are also possible when playing b

D-AC-F-BP1

This is Focalink's forte double ocarina in the key of Alto C. There are two separate chambers that allow the player 17 chromatic notes from A to high C. Certain chords are also possible when playing b

D-AC-F-MW3

This is Focalink's forte double ocarina in the key of Alto C. There are two separate chambers that allow the player 17 chromatic notes from A to high C. Certain chords are also possible when playing b