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Les ocarinas

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Ray Ocarina 2AC

Ocarina fabriqué à la main par son fabricant et son équipe en Chine. Ces nouveaux Ray Ocarinas proposent un doigté unique où la main gauche permet aussi de jouer la 2ème chambre. Exemple: Le doigt

Ray ocarina 94.68 Alto DO Double

D-BC-N2

It takes Focalink almost 2 years to develop this new series of ocarinas especially for Ensemble use because of the more smooth transmission process on breath pressure and sound volume when player swit

Stein / Focalink 357.53 Basse DO Double

D-BC-R2

This is Focalink's standard double ocarina in the key of Bass C. There are two separate chambers that allow the player 17 chromatic notes from A to high C. Certain chords are also possible when playin

Stein / Focalink 330.29 Basse DO Double

D-BC-R1

This is Focalink's standard double ocarina in the key of Bass C. There are two separate chambers that allow the player 17 chromatic notes from A to high C. Certain chords are also possible when playin

Stein / Focalink 313.27 Basse DO Double

D-AF-N2

It takes Focalink almost 2 years to develop this new series of ocarinas especially for Ensemble use because of the more smooth transmission process on breath pressure and sound volume when player swit

Stein / Focalink 289.43 Alto FA Double

D-AG-N2

It takes Focalink almost 2 years to develop this new series of ocarinas especially for Ensemble use because of the more smooth transmission process on breath pressure and sound volume when player swit

Stein / Focalink 260.49 Alto SOL Double

D-AG-R2

This is Focalink's standard double ocarina in the key of Alto G. There are two separate chambers that allow the player 17 chromatic notes from E to high G. Certain chords are also possible when playin

Stein / Focalink 243.46 Alto SOL Double

D-AG-R1

This is Focalink's standard double ocarina in the key of Alto G. There are two separate chambers that allow the player 17 chromatic notes from E to high G. Certain chords are also possible when playin

Stein / Focalink 226.44 Alto SOL Double

D-AC-N3

It takes Focalink almost 2 years to develop this new series of ocarinas especially for Ensemble use because of the more smooth transmission process on breath pressure and sound volume when player swit

Stein / Focalink 145.57 Alto DO Double

D-AC-N2

It takes Focalink almost 2 years to develop this new series of ocarinas especially for Ensemble use because of the more smooth transmission process on breath pressure and sound volume when player swit

Stein / Focalink 143.01 Alto DO Double

D-AC-F-BP3

This is Focalink's forte double ocarina in the key of Alto C. There are two separate chambers that allow the player 17 chromatic notes from A to high C. Certain chords are also possible when playing b

Stein / Focalink 222.18 Alto DO Double

D-AC-F-BP2

This is Focalink's forte double ocarina in the key of Alto C. There are two separate chambers that allow the player 17 chromatic notes from A to high C. Certain chords are also possible when playing b

Stein / Focalink 219.63 Alto DO Double

D-AC-F-BP1

This is Focalink's forte double ocarina in the key of Alto C. There are two separate chambers that allow the player 17 chromatic notes from A to high C. Certain chords are also possible when playing b

Stein / Focalink 212.82 Alto DO Double

D-AC-F-MW3

This is Focalink's forte double ocarina in the key of Alto C. There are two separate chambers that allow the player 17 chromatic notes from A to high C. Certain chords are also possible when playing b

Stein / Focalink 160.04 Alto DO Double

D-AC-F-MW2

This is Focalink's forte double ocarina in the key of Alto C. There are two separate chambers that allow the player 17 chromatic notes from A to high C. Certain chords are also possible when playing b

Stein / Focalink 157.49 Alto DO Double