T-AC-R2

This is Focalink's standard triple ocarina in the key of Alto C. There are three separate chambers that allow the player 21 chromatic notes from A to high G. Certain chords are also possible when play

T-AC-Soft 3

This is Focalink's soft-blown triple ocarina in the key of alto C. There are three separate chambers that allow the player 21 chromatic notes from A to high G. Certain chords are also possible when pl

T-AC-Soft 2

This is Focalink's soft-blown triple ocarina in the key of alto C. There are three separate chambers that allow the player 21 chromatic notes from A to high G. Certain chords are also possible when pl

T-AC-Soft 1

This is Focalink's soft-blown triple ocarina in the key of alto C. There are three separate chambers that allow the player 21 chromatic notes from A to high G. Certain chords are also possible when pl

T-AC-by Osawa 2

T-AC-by Osawa 2 This is Focalink's newest released triple ocarina in the key of Alto C, 21 chromatic notes from A to high G. In order to benefit all the ocarina friends outside Japan, Mr. Satoshi Osa

D-AF-N2

It takes Focalink almost 2 years to develop this new series of ocarinas especially for Ensemble use because of the more smooth transmission process on breath pressure and sound volume when player swit

D-AG-N2

It takes Focalink almost 2 years to develop this new series of ocarinas especially for Ensemble use because of the more smooth transmission process on breath pressure and sound volume when player swit

D-AG-R2

This is Focalink's standard double ocarina in the key of Alto G. There are two separate chambers that allow the player 17 chromatic notes from E to high G. Certain chords are also possible when playin

D-AG-R1

This is Focalink's standard double ocarina in the key of Alto G. There are two separate chambers that allow the player 17 chromatic notes from E to high G. Certain chords are also possible when playin

D-AC-N3

It takes Focalink almost 2 years to develop this new series of ocarinas especially for Ensemble use because of the more smooth transmission process on breath pressure and sound volume when player swit

D-AC-N2

It takes Focalink almost 2 years to develop this new series of ocarinas especially for Ensemble use because of the more smooth transmission process on breath pressure and sound volume when player swit

D-AC-F-BP3

This is Focalink's forte double ocarina in the key of Alto C. There are two separate chambers that allow the player 17 chromatic notes from A to high C. Certain chords are also possible when playing b

D-AC-F-BP2

This is Focalink's forte double ocarina in the key of Alto C. There are two separate chambers that allow the player 17 chromatic notes from A to high C. Certain chords are also possible when playing b

D-AC-F-BP1

This is Focalink's forte double ocarina in the key of Alto C. There are two separate chambers that allow the player 17 chromatic notes from A to high C. Certain chords are also possible when playing b

D-AC-F-MW3

This is Focalink's forte double ocarina in the key of Alto C. There are two separate chambers that allow the player 17 chromatic notes from A to high C. Certain chords are also possible when playing b