Les ocarinas

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Les ocarinas

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D-BC-N2

It takes Focalink almost 2 years to develop this new series of ocarinas especially for Ensemble use because of the more smooth transmission process on breath pressure and sound volume when player swit

Stein / Focalink 386.43 Basse DO Double

D-BC-R2

This is Focalink's standard double ocarina in the key of Bass C. There are two separate chambers that allow the player 17 chromatic notes from A to high C. Certain chords are also possible when playin

Stein / Focalink 356.99 Basse DO Double

D-BC-R1

This is Focalink's standard double ocarina in the key of Bass C. There are two separate chambers that allow the player 17 chromatic notes from A to high C. Certain chords are also possible when playin

Stein / Focalink 338.58 Basse DO Double

D-AF-N2

It takes Focalink almost 2 years to develop this new series of ocarinas especially for Ensemble use because of the more smooth transmission process on breath pressure and sound volume when player swit

Stein / Focalink 312.82 Alto FA Double

D-AG-N2

It takes Focalink almost 2 years to develop this new series of ocarinas especially for Ensemble use because of the more smooth transmission process on breath pressure and sound volume when player swit

Stein / Focalink 281.54 Alto SOL Double

D-AG-R2

This is Focalink's standard double ocarina in the key of Alto G. There are two separate chambers that allow the player 17 chromatic notes from E to high G. Certain chords are also possible when playin

Stein / Focalink 263.14 Alto SOL Double

D-AG-R1

This is Focalink's standard double ocarina in the key of Alto G. There are two separate chambers that allow the player 17 chromatic notes from E to high G. Certain chords are also possible when playin

Stein / Focalink 244.74 Alto SOL Double

D-AC-N3

It takes Focalink almost 2 years to develop this new series of ocarinas especially for Ensemble use because of the more smooth transmission process on breath pressure and sound volume when player swit

Stein / Focalink 157.33 Alto DO Double

D-AC-N2

It takes Focalink almost 2 years to develop this new series of ocarinas especially for Ensemble use because of the more smooth transmission process on breath pressure and sound volume when player swit

Stein / Focalink 151.81 Alto DO Double

D-AC-F-BP3

This is Focalink's forte double ocarina in the key of Alto C. There are two separate chambers that allow the player 17 chromatic notes from A to high C. Certain chords are also possible when playing b

Stein / Focalink 240.14 Alto DO Double

D-AC-F-BP2

This is Focalink's forte double ocarina in the key of Alto C. There are two separate chambers that allow the player 17 chromatic notes from A to high C. Certain chords are also possible when playing b

Stein / Focalink 234.62 Alto DO Double

D-AC-F-BP1

This is Focalink's forte double ocarina in the key of Alto C. There are two separate chambers that allow the player 17 chromatic notes from A to high C. Certain chords are also possible when playing b

Stein / Focalink 230.02 Alto DO Double

D-AC-F-MW3

This is Focalink's forte double ocarina in the key of Alto C. There are two separate chambers that allow the player 17 chromatic notes from A to high C. Certain chords are also possible when playing b

Stein / Focalink 172.97 Alto DO Double

D-AC-F-MW2

This is Focalink's forte double ocarina in the key of Alto C. There are two separate chambers that allow the player 17 chromatic notes from A to high C. Certain chords are also possible when playing b

Stein / Focalink 167.45 Alto DO Double

D-AC-F-S3

This is Focalink's forte double ocarina in the key of Alto C. There are two separate chambers that allow the player 17 chromatic notes from A to high C. Certain chords are also possible when playing b

Stein / Focalink 172.97 Alto DO Double